Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Prince Felipe Prospero oil


Prince Felipe Prospero
Painting ID::  752
Prince Felipe Prospero
1659 Art History Museum, Vienna
1659_ Art_History_Museum,_Vienna
   
   
     

Diego Velazquez Study for the Head of Apollo oil


Study for the Head of Apollo
Painting ID::  753
Study for the Head of Apollo
1630
1630
   
   
     

Diego Velazquez Francisco Lezcano oil


Francisco Lezcano
Painting ID::  754
Francisco Lezcano
1636-38 Museo del Prado, Madrid
1636-38_Museo_del_Prado,_Madrid
   
   
     

Diego Velazquez The Needlewoman oil


The Needlewoman
Painting ID::  755
The Needlewoman
1640 National Gallery of Art, Washington DC
1640_ National_Gallery_of_Art,_Washington_DC
   
   
     

Diego Velazquez El Primo (Diego de Aceda) oil


El Primo (Diego de Aceda)
Painting ID::  756
El Primo (Diego de Aceda)
1644 Museo del Prado, Madrid
1644_ Museo_del_Prado,_Madrid
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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